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There have been many notable instances of unruly behavior at classical music concerts, often at the premiere of a new work or production: * 1802 (December 18, London): William Reeve, ''Family Quarrels''. Part of the Jewish audience catcalled because of perceived anti-Jewish sleights.〔Chancellor, Valerie E. (2002). "Anti-Racialism or Censorship? The 1802 Jewish Riots at Covent Garden Opera". Opera Quarterly 18 (1): 18–25.〕 * 1830 (August 25, Brussels): Daniel Auber, ''La muette de Portici''. Audience members at a performance in Brussels left before the end of the opera to join pre-planned riots that were already taking place across the city, marking the beginning of the Belgian Revolution.〔Slatin, Sonia. "Opera and Revolution: La Muette de Portici and the Belgian Revolution of 1830 Revisited", ''Journal of Musicological Research'' 3 (1979), 53–54〕 * 1838 (September 10, Paris): Hector Berlioz, ''Benvenuto Cellini''. The audience hissed at most of the music after the first few numbers.〔(Wasselin, Christian, "Benvenuto Cellini" on the Hector Berlioz website ) for a more detailed inside story of the opera〕 * 1868 (March 5, Milan): Arrigo Boito, ''Mefistofele''. The audience came predisposed to drown out Boito's claquers and succeeded in making the music inaudible with their hisses and boos.〔Halperson, Maurice. "(The Romance of Music ), 56", ''Musical America'', September 8, 1917.〕〔Nicolaisen, Jay. "The First 'Mefistofele'." ''19th-Century Music'', Vol. 1, No. 3 (Mar., 1978), pp. 221–222.〕 * 1913 (March 9, Rome): Francesco Balilla Pratella, ''Musica Futurista''. At the second performance of the work, the audience booed, threw garbage at the orchestra, and some fighting occurred.〔Payton, Rodney J. "The Music of Futurism: Concerts and Polemics", ''The Musical Quarterly'', (1976) LXII (1): 33.〕 * 1913 (March 31, Vienna): Alban Berg, ''Altenberg Lieder''. As part of a front in Vienna's ongoing style wars, the audience booed and catcalled loudly, and some punches were thrown. The event came to be known as the Skandalkonzert.〔Barker, Andrew (1997). "Battles of the Mind: Berg and the Cultural Politics of 'Vienna 1900'", ''The Cambridge Companion to Berg'', p. 24. Pople, Anthony, ed. ISBN 0-521-56489-1.〕 * 1913 (May 29, Paris): Igor Stravinsky, ''The Rite of Spring''. Dueling factions tried to drown each other out during the ballet's premiere, unwittingly launching generations of exaggerations of what actually happened in the hall that night.〔Pieter C. van den Toorn, "Stravinsky and The Rite of Spring", (Chapter 1: Point of Order )〕 * 1913 (September 5, Pavlovsk): Sergei Prokofiev, ''Piano Concerto No. 2''. The work was met with hisses and catcalls.〔Steinberg, Michael. "(Program notes )", San Francisco Symphony.〕 * 1917 (May 18, Paris): Erik Satie, ''Parade''. One faction of the audience booed, hissed, and was generally unruly, but they were eventually silenced by an enthusiastic ovation.〔Peterkin, Norman. "Erik Satie's 'Parade'", ''The Musical Times'', Vol. 60, No. 918 (Aug. 1, 1919), 426.〕 * 1923 (March 4, New York): Edgard Varèse, ''Hyperprism''. The audience laughed throughout and hissed at the conclusion, which prompted Varèse to repeat the work in hopes of a more serious response.〔"Taxi Toots Sound Sweet After Music By Composers Guild: Many Hisses Greet Conclusion of 'Hyperprism'; Dissenters Told to Leave and Piece Is Played Over Again", ''New York Tribune'', March 5, 1923.〕 *1924 (June 15, Paris): Erik Satie, ''Mercure''. The police were called to the premiere due to unruly behavior that sprung from the Parisian cultural infighting of the time.〔Orledge, "Erik Satie's Ballet Mercure" (1924)〕 * 1926 (June 19, Paris): George Antheil, ''Ballet Mécanique''. The premiere performance received a large ovation despite some unruly behavior in the audience, including an outburst by Ezra Pound, but there were some fistfights in the street after the concert.〔Key, Susan, Larry Rothe, and Thomas M. Tilson. ''(American Mavericks )''. San Francisco, Calif: San Francisco Symphony, 2001.〕 * 1926 (November 27, Cologne): Béla Bartók, ''The Miraculous Mandarin''. The plot caused a commotion in the audience, which began leaving during the performance. * 1954 (December 2, Paris): Edgard Varèse, ''Déserts''. The audience loudly jeered the piece.〔Mattis, Olivia. "Varèse's Multimedia Conception of Déserts", The Musical Quarterly, Vol. 76, No. 4 (Winter, 1992), p. 557.〕 * 1961 (April 13, Venice): Luigi Nono, ''Intolleranza 1960''. The opera's premiere was disrupted by shouts from a neo-fascist faction in the audience. 〔Boyden, Matthew, and Nick Kimberly. ''(The Rough Guide to Opera )'', Rough Guides, 2002, p. 550.〕 * 1968 (December 9, Hamburg): Hans Werner Henze, ''Das Floß der Medusa''. Students hung a Che Guevera banner, the Red, and Black flags causing the chorus to protest, and the police to make arrests, which prompted Henze to cancel the concert.〔Ernst Schnabel, "Zum Untergang einer Uraufführung" and "Postscriptum nach dreiunddreissig Tagen", in Hans Werner Henze and Ernst Schnabel, ''Das Floss der Medusa: Text zum Oratorium'', 47–61 & 65–79 (Munich: Piper-Verlag, 1969); Andrew Porter, "Henze: The Raft of the Frigate 'Medusa' – Oratorio" (review of DGG 139428-9 ), ''Gramophone'' 47, no. 563 (April 1970): 1625; Anon. ("Affären/Henze: Sie bleibt" ), ''Der Spiegel'' 22, no. 51 (16 December 1968): 152. 〕 * 1973 (January 18, New York): Steve Reich, ''Four Organs''. At a Carnegie Hall performance of the work, the conservative audience tried yelling and sarcastically applauding to hasten the end of the piece, which received both boos and cheers during the ovation.〔Schonberg, Harold. "Music: A Concert Fuss: Piece by Reich Draws a Vocal Reaction," ''The New York Times'', January 20, 1973.〕 ==See also== * Succès de scandale * Claque – Claqueurs are hired to initiate applause, or sometimes booing. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「List of classical music with an unruly audience response」の詳細全文を読む スポンサード リンク
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